Maybe turn it down when you’re working in the dark, though, unless you’ve got a pair of sunglasses handy. At 500 nits, this new iMac is 43% brighter than the outgoing model, which is high enough that you’ll never be bothered by light reflections. It’s a superb display for editing, but it’s a treat on the eyes even if you’re just bingeing on Netflix shows.īrightness has been given a major boost, too. Photos are beyond rich, but manage to stay realistic instead of becoming blown out or overly vivid. There’s no distracting banding effects between different shades of colour at all, so sunsets and moody greyscale photos absolutely leap off the screen. That means a potential one billion onscreen colours, and the results, stretched over a 4K, 21.5in panel, really speak for themselves.
#Best 4k monitor for mac 2017 tv#
This is the same tech trickery that TV manufacturers use to get their TVs playing nicely with HDR video, but here it helps widen that all-important range of colours to make your photos and videos look truly spectacular. It uses 10-bit dithering on an 8-bit panel, which sounds like a lot of techno-babble, but is actually pretty clever.īy rapidly alternating the colours of each pixel, it can give the impression of colours the panel can’t actually create itself. This new model, though? It’s even more truer-to-life.
While the rest of the world was slumming it on old fashioned sRGB, Apple’s all-in-ones were pumping out more vivid, true-to-life colours. The previous-gen iMac was the first computer to make the jump to DCI-P3 - or the first one us mere mortals could afford, anyway.
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